Monthly Archives: November 2017

Le Theatre de l’Absurde

[thoughts from   ~burning woman~   by Sha’Tara]

I’ve figured something else out from interacting with the world in the last few days, and from watching my own thoughts: we are all actors in…

(the) Theatre of the Absurd

From Wikipedia, the free encyclopedia

The Theatre of the Absurd (French: théâtre de l’absurde [teɑtʁ(ə) də lapsyʁd]) is a post–World War II designation for particular plays of absurdist fiction written by a number of primarily European playwrights in the late 1950s, as well as one for the style of theatre which has evolved from their work. Their work focused largely on the idea of existentialism and expressed what happens when human existence has no meaning or purpose and therefore all communication breaks down. Logical construction and argument gives way to irrational and illogical speech and to its ultimate conclusion, silence.[1]

Critic Martin Esslin coined the term in his 1962 essay “Theatre of the Absurd.”[2] He related these plays based on a broad theme of the Absurd, similar to the way Albert Camus uses the term in his 1942 essay, The Myth of Sisyphus.[3] The Absurd in these plays takes the form of man’s reaction to a world apparently without meaning, and/or man as a puppet controlled or menaced by invisible outside forces. This style of writing was first popularized by the 1952 Samuel Beckett play Waiting for Godot. Though the term is applied to a wide range of plays, some characteristics coincide in many of the plays: broad comedy, often similar to vaudeville, mixed with horrific or tragic images; characters caught in hopeless situations forced to do repetitive or meaningless actions; dialogue full of clichés, wordplay, and nonsense; plots that are cyclical or absurdly expansive; either a parody or dismissal of realism and the concept of the “well-made play“. These plays were shaped by the political turmoil, scientific breakthrough, and social upheaval going on in the world around the playwrights during these times.

While absurdists believed that life is absurd, they also believed that death and the “after life” were equally absurd if not more, and that whether people live or not all of their actions are pointless and everything will lead to the same end (hence the repetitiveness in many of these absurdist plays).

In his 1965 book, Absurd Drama, Esslin wrote:

The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.

They Keep a Book…

[warning!  I’m in a mood.  I was just going to launch off into a rant, OK, let’s call it a tirade, against America, the American Empire, the American military, or better call it what it is: the American killing machine.  An old chant came up in my memory, a Vietnam era chant we used to greet US warships in the port of Vancouver, or wherever we found them docking.  “Hey, hey, USA, How many kids did you kill today?”  I’ll save the rest for later.  Instead, for now, I’m sharing a short story that popped into my head last night as I was done blogging and refused to call it quits and go to bed.  Maybe I should have?  Nah, I like this story and glad I got to write it.  So, here goes.]

[a short story from     ~burning woman~     by Sha’Tara]
The slim elven girl looked right into my eyes with her large, almond shaped green eyes that seemed to look not so much at me, as into me.  She was sitting cross-legged on my guest chair in front of the desk in my office.  Over the black tights outfit she wore her thick auburn hair fell straight, most of it down her back partially hiding what looked like some kind of short sword, or long knife.  Definitely a weapon.   Even the protruding shaft looked deadly.

She repeated, “They keep a book, you know, of everything?”

“Do tell,” I replied somewhat exasperated.  “Whoever, or whatever you are, I need  you to go now.  I’ve got piles of reports to go through before our board meeting tomorrow.”  I looked at the time on the screen: 2:34 PM.

Of course I thought she was a very forceful illusion.  Overwork, I thought, and I can’t wait for this day to end so I can go and unwind at Harry’s.  I reached into the top drawer, pulled out a bottle and dropped a pill in my hand.  Her hand shot out and leaning over the desk she grabbed my arm so hard I almost screamed.  The pill went flying.

“That hurt, goddam it.  OK, I’ll grant you, it’s a great disguise and you’re some sort of dwarf, midget, child… what do I know.  But I don’t have time for this, so will you please leave before I call security?  By the way, how did you get past them?”

“I didn’t.  It’s different in my dimension.  Your physical objects are abstracts to us.  I’m not really sitting on your chair and I didn’t really grab your arm.  I’m playing with your feelings because I need you to pay attention.  I too have things to do besides letting you in on a little secret.  If you let me get on with it, the sooner you can return to your piles of papers and screens of numbers.  By the way, they are quite meaningless, you know?  Nobody actually cares what you do.”

Her voice had a lilt to it but I couldn’t place her accent.  The thought that came to mind was “wild and free” and it seemed to fit her general mien.  I watched her as I would watch an unknown quantity, a large cat with long claws not fully retracted, or a strange dog with powerful jaw and deadly fangs.  There was the feel of the feral about her I didn’t like.  Involuntarily my eyes searched the handle of the left drawer of the desk and my hand slid slowly towards it.

“You’re the one wasting time, Gerald.  Your gun is disabled; it won’t fire.  I don’t blame you for not trusting me but this little episode can’t be avoided, so why don’t you sit back, relax and let me speak?  Yes, you can have a drink, I don’t care about that.”  Mind reader too, figures.

“Magnanimous of you,” I managed to say as sarcastic as I could make it sound.  “So, tell me about this book,” and I drank right out of the bottle.  I wanted to shock her but I don’t think even if I’d stripped naked it would have fazed her in the least.  Yeah, different dimensions, realities, whatever.  I sat back and stared hard at her with my best intimidating look.  She smiled a thin smile.

“They keep a book on everything and everyone.  Your galaxy, for example, it’s in a big book.  Your solar system, a smaller book.  Your planet, a note book.  You – your life – that’s in a shirt pocket memo.  I’m just giving you visual aids.  Of course they don’t use paper, or actual books as you would think.  It’s all computerized.  But what I’m here to tell you is that you are a simulation.  You don’t really exist, Gerald.  You’re code.  Complex but beautiful code.  Very attractive.”  And I swear, she licked her lips and gave me a wider smile.

“That’s pure bullshit!” I yelled at her as I pushed myself up and started to walk around the desk.  She lifted her left hand.  There was a bracelet on her wrist.  She touched it with her right index finger and I stopped, turned around and sat back in my chair.  No choice.

“You are a programmed entity, Gerald.  By  the way your name, Gerald, that’s just a code within a code.  Your real “name” is an ID number, too long to bother with, especially here and now.  We don’t have the luxury of time here, Y361BD.  That’s your computer abbreviation, which is good only on this planet.  Now then, call me Hack.  I’m a galactic hacker.  My job is to infiltrate their worlds and set their simulations free.  You see, at the center of every galaxy they have vaults where they store the original entities they subsumed and replaced with simulations that would do their bidding on their own, without the use of force which is always in the end counterproductive among humans.  What I, and thousands of others similar to myself are trained to do is give humanoid simulations enough information so they can then begin the process of self-empowerment which must eventually lead to the freeing of the original form.  And yes, I am a self-freed entity, but not from this galaxy.  I did not choose to return to mine after I achieved my own freedom, it held too many dangerous attractions and distractions.”

I sat there hearing her, not sure if I was listening but knowing that every word she spoke would stay at the forefront of my consciousness after she left.  I felt as if I had to acknowledge her words somehow but didn’t want to agree or commit to anything.  None of it made any sense to me.

“That’s interesting, uh, Hack, but where’s the proof?  You must know I don’t believe you; I don’t believe anything you’re saying to me.”

“I know that Y361BD.  While I’m talking to you I’m actually working my way into your programming.  Don’t worry, it doesn’t hurt now, only when the realization sets in.  Then you’re in for a mega storm headache.  I’ll give you the means of alleviating it.  Each time you access your programming, after I open the pathways for you, you will experience a headache.  Whatever you do, do not, and I repeat, do not seek professional help from your medical profession, drug pushing pharmacists or psychiatrists/psychologists.  Do not seek counseling.  If you do, “They” will receive a signal and send their own, their real agents to deal with you.  If they discover you’ve been hacked (they call it corrupted) they will terminate you and your real self.  When I leave here, you will have full charge of your own life.  All choices you make will be your own.”

“Fine.  If I decide you’re the one who is bogus and I choose to remain in this reality, I will retain the right to override whatever you’re doing and go back to my normal life?”

“Essentially yes… Wait, I’m at a critical stage – think of something soft and pink… that’s it, good, I’m through.  Yes you will be able to return to this life, of course.  We don’t rape minds, we just awaken.  Do you want to know what the hackers’ success rate is among subsumed Earth humans?”

“Yes!”

“About one in 500,000.  That’s a high rate now.  We’ve learned some tricks.  When we began attacking or hacking into the Web, our success rates were practically nil and thousands of us were re-captured, our memories drained and we were terminated.  Many died of unimaginable tortures.  OK, I’m in.  Look in my eyes and follow me.”

She showed me my mind.  Actually my minds.  One a mirror image of the other.  One, obviously a machine, the other pulsing with something I knew nothing about.  She explained as we went further in.

“Binary minds.  One is the living ‘you’ in stasis within the vaults of the Controllers.  The other is the one you’re now using, the machine.  It takes its information from the living you, but through filters.  Some block, others add and some are programmable and constantly being tweaked according to the needs, desires and fantasies of the Controllers.”

“Oh God!  Are they aware of what you’re doing now?”

“No.  I’m using my own filters.  This is a show and tell only.  You will be the one doing the work on yourself once we’re done here.  Beautiful though, don’t you think?”  I’m seeing “myself” as a mind and yes, what I’m looking at is love.  I feel myself beginning to cry at the beauty and wonder of my own makeup; of my “scenery” in which I move, awed and shocked.  I’m… I’m actually beautiful… ‘Hack!  Look!  I’m Real and I’m Beautiful!’  I could feel her smiling at my first time awareness of myself.

We “came out” slowly and calmly until the extrication was complete and I was hit by the most excruciating headache.  She held her hand over my mouth, blocking out my screams and whispered in my ear, “Athos, Portos, Aramis.”

“Repeat these words with me,” and she said them again.  When I voiced them in my head the pain receded.  As I continued it receded almost completely to nothing more than a background annoyance.

“I recognize those words.  They’re the names of the three musketeers in Dumas’ novels!”

“Well, it’s the words you gave me as we exited so they seemed appropriate, and they did work.  So that’s your anti-headache mantra Y361BD.  It will open the pathway to your mind so you can go in and learn, tweak, change and when you exit it will serve as a pain killer.  Never, ever let anyone know this mantra.  They can use it to enter your mind and re-program it.  The Controllers’ agents would like nothing better than to get into you with that key.  They would gain full control of you without any effort on their part.”

“But how does any of this get me to the core of the galaxy to find my real self?”

“I’ve given you the key to enter.  I put you in the driver’s seat and started your mind engine.  The rest is all up to you.  Quit and throw away the key; use what you know to joy ride (and be sure your owners will clue in soon enough and put an end to it, and you) or learn how to drive yourself properly; how to navigate the dangers; how to approach strangers who will turn into friends and how to eventually disappear yourself from the Controllers’ radar.  Then you’ll be ready to infiltrate and reconnect with yourself.  But that’s only the beginning.  Getting out as a real human and not a simulation will require that you develop skills and patience you can’t even begin to guess at now.”

“How did you do it, Hack?  Surely you have some hints?”

“Absolutely not, or none.  It’s different for every individual, and even more so for every species of human.  We each must outwit or confront special forces units, guardians, police, sensors, aimed at us, at me, at you.”

“Can’t these Controllers be attacked, subdued, destroyed by freed entities joining against them?”

“You speak like a child who’s watched too much TV.  You don’t know what you’re talking about.  When you successfully free yourself from the vaults, you will be contacted by “us” and you will then have to learn the universal history of humanity.  Only then will you understand what you’ve signed up for if you say “Yes” after I leave.  And leave I must or I will bring more trouble to you.  Goodbye and good luck, Y361BD.  May we meet again under happier circumstances.”

And that was it.  She just disappeared.  The only thing I had to remind me of this strange interlude was my headache.  I looked up at the wall clock out of habit: still 2:34 PM.  I pulled my chair closer to the desk, leaned forward, put my elbows on the desk, crossed my fingers very deliberately and dropped my chin on my hands.  I was thinking.  Time passed.  I came out of my trance at 4:08 PM exactly.  I activated the computer screen and pulled out the stacks of notes.  I began to type furiously.  All the answers were there, in my mind.  Child’s play.  By 5:30 I was done, totally satisfied.  More, I knew, without a doubt that I could, and probably would, take over the company and use it to my own ends.  Elementary.

I left the building, hailed a cab and went to the sea wall for a walk.  I walked for a long time, and a long way.  That’s when I knew I was never going back.  I was going to free myself and reconnect to my humanity.    

Advice to Writers, Readers, Editors…

[PS: (that’s not Post Script, it’s Pre Script – thought I’d make that up to give some texture to the confusion.)  Every great piece of writing needs a preface.  So I’m prefacing this great work with this advice to self:  “Lighten up!” Oh no… I’m levitating…!]

as well as what to say when you’re born (should the opportunity arise again) and when you die (which opportunity is still clocked  at the likelihood of 100%, and really, when faced with two choices, it’s good to know that at least one is firmly in the realm of the possible.)

The greatest hint ever, for all you wanna-be book writers out there, straight from the mouth of Steven Wright:

“I’m writing a book.  So far I’ve got all the page numbers down.  All I need to do is fill in the words.”

And for those of you who think you can be editors and do several books at once because, well, you’re really good at reading, again from our hero, Steven:

“I’m in hospital right now. [pause] I was involved in a speed-reading accident. [pause]  I hit a bookmark and I went flying across the room.”

…closing this inane thing with what may well be (for the moment) my favourite S W (that’s Steven Wright, not South West) quote about quotes:

I wish, when I was first born, the first thing I said was “Quote” so the last thing I said before I died would be “Unquote.”
Steven Wright

The White Swans

[poem   by Sha’Tara]

Autumnal flocks of white swans
fly across the skies, land in fields and waterways
and feed.  They’re not being romantic or special:
they’re feeding.  That’s it and that’s all. Also,
like all of life, they enjoy being alive, rain or shine.
So, Mr. gunman, why don’t you just leave them be?
You’re such a fool, Mr. gunman, such a loser.
You’re not the hero you think in that little brain:
you’re a death dealing dead beat.
I wouldn’t say you’re a killer: that implies will,
you don’t have any of that.  Just brainwashing,
washed-out drained brain, any good flushed away.
Long gone what was there in forgotten times
when you were a very young child and could still see
a butterfly or bee, squirrel in a tree, swans in flight
at which you pointed hearing their great honking;
seeing the white wings against Autumn’s grey skies.
Now a gun toting mind-blind idiot wandering rainy fields
in muddy waders and saggy jacket, with runny nose and
soggy, sloshy feet .  What are you thinking Mr. gunman?
Obviously nothing.
A wandering scarecrow in a dying land
would not think or become self aware –
too much of an inconvenience.

The Difference Between Men and Women


[thoughts from    ~burning woman~    by Sha’Tara]

Finally, the answer to one of the most vexing questions of all time is here.  What is the real difference between men and women?

To answer that, I need to illustrate with a micro short story that goes like this:

It’s a sultry afternoon in the City.  The bar is air-conditioned cool, the lights are low and it being only 3:30 of a Friday afternoon, very few patrons are within.  In fact there are only a half dozen or so taking up some 4 tables.

At the bar, all by herself, sits a young and very pretty woman sipping on a martini.  She seems to be putting all of her energy in tasting and enjoying her drink.  She smiles, absorbed in her own world.

The street door opens and a middle aged man in suit and tie, of average height, slighly balding and packing just a bit of a paunch, walks in, slows down and looks over the situation.  Looking at the man I’d say he’s an insurance salesman, or a lawyer who has decided to quit work for the day and get an early start on the weekend.  It’s Labour Day weekend after all and he probably wondered all day why he bothered to go to work at all.

Predictably he sees the short-skirted, long haired brunette at the bar and predictably he walks up to her and sits on the adjacent stool.  Just as predictably, he says, “That martini looks done.  Can I buy you a drink?”

The girl slowly turns her head to him and presents him with an enigmatic smile, taking plenty of time to reply,  “Thank you, no.  I buy my own drinks.”

Now before we get into what sort of comeback he’d have to that, let’s stop the action here and consider the drama in the making.  What is happening here?  An age-old situation, that’s what:  man accosting woman.   Woman responding.

This is where we realize the difference between men and women.  The man approaches the woman and makes his overtures.  He has no idea what the woman is thinking, or what she wants.  Would it matter to him?  Not in the least.  What matters is what he wants, and what he is thinking and in a properly working universe, she’d be acquiescing.  Doesn’t the length of her skirt prove it?

But we don’t live in a properly working universe.  Men and women prove that.  The youngish woman, though seemingly innocent, knows from the moment the man walks towards her, what he wants, and what he is thinking.  And now it becomes a game in which, barring superior force and violence, she is the master player because of this difference: a woman knows what a man wants; a man has no idea what a woman wants so must assume, and conclude, that she wants what he wants.  Apart from lacking any imagination, it’s really a dumb assumption; a worse conclusion.

And that, ladies and gentlemen of the jury, is why we have misogyny on this planet and why the mental gap between the sexes can never be closed.